Through a Catholic Lens
Peter Malone (Redaktør) Rose Pacatte (Innledning) Greg Friedman (Innledning) Gaye Ortiz (Innledning) Maggie Roux (Innledning) Michael Paul Gallagher (Innledning) Claire Openshaw (Innledning) Dario Vigano (Innledning) Rob Rix (Innledning) Jan Epstein (Innledning) Lloyd Baugh (Innledning) Peter Malone (Innledning) Nick Cruz (Innledning) Jose Tavares de Barros (Innledning) Ricardo Yanez (Innledning) Luis Garcia Orso (Innledning) Guido Convents (Innledning) Marc Gervais (Innledning) Tom Aitken (Innledning) James Abbott (Innledning)
«[A] fascinating collection of essays which should be a first purchase for all academic Catholic libraries....Peter Malone, a respected authority in the field, is to be commended for this excellent contribution.»
Catholic Library World, December 2008
Movies are often examined for subtext and dramatizations of social and psychological issues as well as current movements. Studies of well-known Catholic directors, such as Alfred Hitchcock and John Ford, have made the search for Catholic themes a reputable field of examination. Les mer
Detaljer
- Forlag
- Rowman & Littlefield Publishers
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9780742552302
- Utgivelsesår
- 2007
- Format
- 24 x 17 cm
Om forfatteren
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«[A] fascinating collection of essays which should be a first purchase for all academic Catholic libraries....Peter Malone, a respected authority in the field, is to be commended for this excellent contribution.»
Catholic Library World, December 2008
«This superb collection explores the powerful ways that Catholic film-makers have reflected upon their religious upbringing and convictions - and their struggle with their own faith traditions - through their movies. In doing so, it also demonstrates the great diversity within Catholicism, by treating films that emerge not only from American Catholicism, but also from Great Britain, Canada, Latin America and Europe. Nor does it shy away from difficult issues, including crises of faith, the tensions among piety, atheism and agnosticism, and the fraught history of Catholic-Jewish relations. Discussion of the films is enriched by a focus on the directors, and analysis of the impact of their personal histories, including their Catholic identities and their political and cultural contexts, on their movies. A fascinating book that will interest movie-lovers of all religious persuasions.»
Adele Reinhartz, associate vice-president of research, University of Ottawa