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Human Beings and their Images

Imagination, Mimesis, Performativity

«Christoph Wulf’s anthropological approach to images, studying the way we appropriate them through mimesis and rituals, and their power to shape the personality and generate multiple human worlds, makes this an indispensable book for anyone interested in their role in culture, the arts, the training of the body, and the rise of the personal and social imaginaries. This is one of the broadest works on the subject available in English.»

Joan Ramon Resina, Professor of Comparative Literature, Stanford University, USA
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Detaljer

Forlag
Bloomsbury Academic
Innbinding
Paperback
Språk
Engelsk
Sider
272
ISBN
9781350265172
Utgivelsesår
2023
Format
23 x 16 cm

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«Christoph Wulf’s anthropological approach to images, studying the way we appropriate them through mimesis and rituals, and their power to shape the personality and generate multiple human worlds, makes this an indispensable book for anyone interested in their role in culture, the arts, the training of the body, and the rise of the personal and social imaginaries. This is one of the broadest works on the subject available in English.»

Joan Ramon Resina, Professor of Comparative Literature, Stanford University, USA

«This is an engaging and important read which explores the role played by images and human beings’ understandings of images. Wulf carefully explores the relationships between image, imagination, the imaginary, ritualistic practices and mimesis, offering an anthropological lens on these and the position (and power) of the image. A powerful book, which will be of interest to researchers from a range of disciplines.»

Jessica Bradley, Lecturer in Literacies, University of Sheffield, UK

«In the tradition of philosophical anthropology, Christoph Wulf brings alive discussions of the human that had more recently fallen out of favour. Moving deftly between the image and the imagination, this erudite and deeply satisfying work does justice to both the universal capacity enabling our singular engagement with images and the cultural differences defining us in our temporal worlds.»

John Borneman, Professor of Anthropology, Princeton University, USA

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