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Carrion Crow
«Carrion Crow, surely, will win awards . . . Every sentence oozes a crushed purple poetry, overripe with devastation and wretchedness . . . If you finish it feeling you might just skip dinner, then you also feel filled with awe for a writer so gifted at conveying this much ick in such luxuriant, refulgent style.»
Observer
A powerful and spine-tingling gothic tale exploring mother-daughter relationships, sexuality, and class.
‘As mesmerizing as it is surreal, Carrion Crow is a haunting gothic tapestry’ Lucy Rose, Sunday Times bestselling author of The Lamb
A powerful and spine-tingling gothic tale exploring mother-daughter relationships, sexuality, and class.
‘As mesmerizing as it is surreal, Carrion Crow is a haunting gothic tapestry’ Lucy Rose, Sunday Times bestselling author of The Lamb
‘One of the best books I've read this year! … I loved it’ Julia Armfield, author of Private Rites and Our Wives Under The Sea
‘A gruesome, provocative, stylish fairytale.... A true Gothic gem’ Kaliane Bradley, bestselling author of The Ministry of Time
There are some facts about the world that only your mother can teach you.
Marguerite had been confined for the sake of her wellbeing.
That’s what her mother had said.
Marguerite Périgord is locked in the attic of her family home, a towering Chelsea house overlooking the stinking Thames.
For company she has a sewing machine, Mrs Beeton’s Book of Household Management and a carrion crow who has come to nest in the rafters. Restless, she spends her waning energies on the fascinations of her own body, memorising Mrs Beeton’s advice and longing for her life outside.
Cécile Périgord has confined her daughter Marguerite for her own good.
Cécile is concerned that Marguerite’s engagement to a much older, near-penniless solicitor, will drag the family name – her husband’s name, that is – into disrepute. And for Cécile, who has worked hard at her own betterment, this simply won’t do.
Cécile’s life has taught her that no matter how high a woman climbs she can just as readily fall.
Of course, both have their secrets, intentions and histories to hide. As Marguerite’s patience turns into rage, the boundaries of her mind and body start to fray.
And neither woman can recognise what the other is becoming.
Praise for Carrion Crow:
‘One of the most important new voices in fiction, with Carrion Crow Heather Parry deduces an unutterable Gothic horror of class and gender... magnificent and devastating’ Alan Moore, award-winning author of Watchman and V for Vendetta
‘Grizzly, compelling, and utterly claustrophobic’ Heather Darwent, Sunday Times bestselling author of The Things We Do to Our Friends
‘Beautifully written with such dark, claustrophobic precision, exploring the devastating control we assert upon one another. Such an achievement.’ Rachelle Atalla, award-winning author of The Pharmacist
‘Delicate, deftly written and enticingly obscene, Carrion Crow will captivate you from the first sentence and haunt you long after the story ends. I've never read anything quite like it’ Jan Carson, prize-winning author of The Raptures
Detaljer
- Forlag
- Doubleday
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 256
- ISBN
- 9781529938685
- Utgivelsesår
- 2025
- Format
- 22 x 15 cm
Om forfatteren
Heather Parry is a writer of fiction and nonfiction. Her debut novel,
Orpheus Builds a Girl, was shortlisted for the Saltire Fiction Book of the Year award and longlisted for the Polari First Book Prize. She is also the author of a short story collection,
This Is My Body, Given For You, and a short nonfiction book,
Electric Dreams: On Sex Robots and the Failed Promises of Capitalism, and writes the Substack
general observations on eggs. She was raised in Rotherham and lives in Glasgow with her partner and their cats, Fidel and Ernesto.
Anmeldelser
«Carrion Crow, surely, will win awards . . . Every sentence oozes a crushed purple poetry, overripe with devastation and wretchedness . . . If you finish it feeling you might just skip dinner, then you also feel filled with awe for a writer so gifted at conveying this much ick in such luxuriant, refulgent style.»
Observer
«Nods to Charlotte Perkins Gilman’s The Yellow Wallpaper and, more obliquely, to the mythic grotesquerie of Angela Carter’s early fiction.»
TLS
«Carrion Crow may be set in a fetid late Victorian London and couched in lightly brocaded prose, but what lurks within is unmistakably red in tooth and claw, a creature nearer in kinship to Kathy Acker than to Sarah Waters . . richly fecund and adult in every sense of the word.»
Guardian
«Carrion Crow is a worthy entrant into the contemporary gothic hall of fame . . . I’m not sure the pure rancidness of this book will ever totally leave me.»
Financial Times
«Haunting and vivid, creating that palpable sense of isolation so hard to create. Parry's atmospheric storytelling leaps off the page.»
Glamour
«Probably one of the best books I've read this year! It felt like an unholy mix of Ottessa Moshfegh and Leonora Carrington, whilst still being very much its own thing. By turns grotesque and painfully tender, Carrion Crow is a masterful novel by a writer in complete control. Seldom have I read so compulsively or been so keen for a book not to end. It is a novel of achy compassion and consummate nastiness and I loved it.»
Julia Armfield, author of Private Rites
«Grizzly, compelling, and utterly claustrophobic.»
Heather Darwent, author of The Things We Do To Our Friends
«A surreal and abject little monster of a novel, artful in its exploration of women’s unspoken and unfulfilled ambitions, and the transformations they make to try and achieve them.»
The Skinny
«If you’re on the lookout for a gothic masterpiece, look no further than Carrion Crow ... a thought-provoking and bold exploration of a toxic mother/daughter relationship set against a darkly gothic backdrop, which shines a light on societal constraints of the time and deals with the expectations laid at the feet of women.»
nb Magazine
«A brilliantly claustrophobic tale of confinement . . . a cautionary tale of the societal pressures that have left so many women unfulfilled and overwhelmed.»
Gutter Magazine
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