«It is paced flawlessly, is lapidary of structure, and is delivered with a purpose and clarity and control that can shut out the noise of the world, of your own heartbeat, even: one of those precious books that, when at last you look up from its pages, you need a moment of re-adjustment, of decompression, so immersive is it… This is an achingly sad book, and essential in its sadness. It is illuminated with skill and application and labour and something very like love.»

Niall Griffiths, Spectator

«Midwinter Break is a work of extraordinary emotional precision and sympathy, about coming to terms - to an honest reckoning - with love and the loss of love, with memory and pain. Full of scenes that are rendered with exquisite accuracy and care, allowing the most detailed physical descriptions to be placed against the possibility of a rich spiritual life, this is a novel of great ambition by an artist at the height of his powers.»

Colm Tóibín

«MacLaverty's prose is deceptively simple and rewardingly straight-forward and efficient. But what he writes about in this much anticipated novel – the resilience and stress-lines of human love experienced over much time – is anything but simple and straight-forward. It’s the stuff of life.»

Richard Ford

«An artist with a subtle feel for the ordinary, MacLaverty’s wry, outstanding novel about the tests that time, age and life impose on love resonates with humanity and emotional intelligence.»

Eileen Battersby, Financial Times

«It is extraordinary how his blunt, declarative sentences translate the fiddly minutiae of life… into utterly gripping prose… This unflinching attention to the textural detail of minute-by-minute existence slowly builds into a profound exploration of the biggest themes in both public and private life… A remarkable late flowering... This is a quietly brilliant novel, which makes for essential reading at any stage of life.»

Justine Jordan, Guardian

«As always in MacLaverty’s pages, everything is alive with absorbing actuality. Characterisation has total credibility. Dialogue is pitch-perfect. Both Stella and Gerry are likeable and admirable… Ripples of wit and shrewd perception play over the novel’s scenes. Intelligent relish of life’s pleasures is appealingly conveyed… Damage done by toxic ideology is the persisting theme in all MacLaverty’s fiction. And he has never dealt with it more powerfully, subtly and affectingly than here.»

Peter Kemp, Sunday Times

«A quiet, brilliantly written novel that packs a tremendous punch.»

Penelope Lively

«A gem of a novel.»

Allan Hunter, Herald Scotland, **Books of the Year**

«[An] intense, emotionally vivid portrait of an elderly couple’s relationship in crisis.»

James Marriott, The Times, **Books of the Year**

«A marriage under strain after 40 years? A mini-break marred by bitter cold weather? An escapist dream that’s about to be nixed by reality? Gloomy though it sounds, this warm, intimate portrait of ageing love is one of the wittiest, wisest novels of the year.»

Mail on Sunday, **Books of the Year**

«It’s a very intimate portrait of a relationship between two older people… The best, and most moving, parts are flashbacks to their experiences during the Troubles.»

UK Press Syndication

«Masterfully alternating the point of view of the book between them, he observes with his careful, forensic eye the habits of a long relationship, the shared memories, routines and irritations… Under MacLaverty’s careful, compassionate spotlight, we see the cracks beneath the surface, the way in which even those closest to us remain somehow unknowable… The best qualities of MacLaverty’s writing are present in Midwinter Break: the kind but unflinching eye, the unfussy description, which has a clarity which feels artless, but is not.»

Susan Mansfield, Scotsman

«A novel written with such subtlety and finesse you’re hardly aware of the artifice that enabled you to get inside the minds of this loving, unhappy couple.»

John Boland, Belfast Telegraph Morning

«The writer’s generation will read it with wistful appreciation, and more than shudder at bad memories. Even before he shook loose the curse of Northern Ireland’s communal obligation for life in Islay and Glasgow, MacLaverty wrote beautifully. Across his wide later range his filmic gift of dialogue and scene-setting is constant.»

Fionnuala O’Connor, Irish News

«His finest to date… Good fiction sheds light too, illuminating the peculiar facets that make up the human condition. MacLaverty’s novel casts such a glow, and creates effects that prove to be both compassionate and compelling.»

Malcolm Forbes, Herald Scotland

«MacLaverty is a sweetly astute writer, a master of fine detail, compassing the quotidian, the intimate and the sacred. Midwinter Break shows us how ordinary and immense love can be.»

Anne Enright

«MacLaverty draws out his characters with great patience… The comfort and pattern of their relationship particularly shine in their dialogue, which is so good it’s film-ready… Throughout, the ride is enlivened by some beautiful writing.»

Miranda France, Literary Review

«In his first novel for 16 years, he provides thrilling proof that he’s lost none of his ability to tackle big issues in a way that’s unfailingly quiet and unfussy, but that ends up being completely piercing… The result is a pin-sharp but ultimately compassionate portrait of the frustrations and pleasures of a long marriage – and of how closely the two things are linked.»

James Walton, Reader's Digest

«Midwinter Break… has MacLaverty’s trademark clarity and some tremendous turns of phrase.»

Kenny Farquharson, The Times

«In this sympathetic, frequently witty portrait of ageing love… You won’t find a sharper, more intimate delineation of what marriage really adds up to.»

Hephzibah Anderson, Mail on Sunday

«Bernard MacLaverty’s first novel in 16 years is a heart-rending analysis of the weary affection and annoyances of a long marriage in its fragile twilight years.»

John Harding, Daily Mail

«MacLaverty has always been his own man and his quietly penetrating insights yield many moments of recognition.»

Ellis O'Hanlon, Irish Independent