"There are rare writers who inform and enthrall, even terrify. The gifted German enigma Wolfgang Koeppen (1906-1990) is one such witness: candid and strange, allusive, unsettling. Time and again Koeppen stage-manages an unforgettable scene."

Irish Times

"A kaleidoscopic narrative that follows a disparate cast of characters whose lives accidentally intersect during a single day in Munich, Germany, in 1948. Now available in an inspired new translation, this portrait of despair and endurance amid postwar ruin is nothing less than a miniature masterpiece."

Kirkus (STARRED)

"Scathing, disillusioned novel ridiculing the notion of a new start and a clean slate for West Germany. Pigeons on the Grass is set in Munich on a single day and its 105 short fragments reveal the failure of more than thirty characters to face up to reality."

London Review of Books

"Almost eerily contemporary in its concerns, and remarkable as a sidelong, searing appraisal of the legacy of the Nazi years, it is a recovered masterpiece."

Publishers Weekly (starred review)

"Michael Hofmann has illuminated a dark corner of recent European history... a forgotten masterpiece."

The Evening Standard

"In a many-toned language Koeppen not only depicts a cacophonous world but peoples that world with individuals whose lives barely overlap. The result documents a uniquely German situation; it also, with its echoes of James Joyce and John Dos Passos, reconnects the German novel at a surprisingly early date to modernist fiction."

The Independent

"Koeppen’s voice—cold, defiant and relentless in its fury at the deadly amnesia he saw emerge from Germany's ruins after World War II—neither transforms nor imbues the world around him, but rather indicts it."

Peter Filkins - The New York Times

"Koeppen’s prose, as deftly channelled by Hofmann (who acknowledges the ‘perfectly good’ version of 1988 by David Ward), seems to expand and contract to fill the space offered by each consciousness."

Dustin Illingworth - TLS

"Germany’s greatest living writer."

Gunter Grass

"Those who haven't read this novel cannot claim to know German literature after 1945."

Marcel Reich-Ranicki

"Scathingly beautiful—lyrically inescapable."

Nadine Gordimer

"Wolfgang Koeppen, a remorselessly brilliant German writer of the 20th century, has long remained scandalously obscure in the Anglophone world. His reputation can finally begin to flower with Michael Hofmann’s fine translation of Pigeons on the Grass, an acute and disquietingly contemporary novel about a society disfigured by racism and historical amnesia."

Pankaj Mishra

"Among the earliest, grandest, and most poetically satisfying reckonings in fiction with the postwar state of the world."

Michael Hofmann