Ny!
New Faces of Fascism
Populism and the Far Right
«Praise for Fire and Blood:
Saul Friedländer, UCLA, author of Nazi Germany and the Jews and The Years of Extermination
Enzo Traverso's investigation is based on a brilliant-although controversial-idea. It is an important book that deserves to prompt vast and interesting debates.»
What does Fascism mean at the beginning of the twenty-first century? When we pronounce this word, our memory goes back to the years between the two world wars and envisions a dark landscape of violence, dictatorships, and genocide. Les mer
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What does Fascism mean at the beginning of the twenty-first century? When we pronounce this word, our memory goes back to the years between the two world wars and envisions a dark landscape of violence, dictatorships, and genocide. These images spontaneously surface in the face of the rise of radical right, racism, xenophobia, islamophobia and terrorism, the last of which is often depicted as a form of Islamic fascism. Beyond some superficial analogies, however, all these contemporary tendencies reveal many differences from historical fascism, probably greater than their affinities. Paradoxically, the fear of terrorism nourishes the populist and racist rights, with Marine Le Pen in France or Donald Trump in the US claiming to be the most effective ramparts against "Jihadist fascism". But since fascism was a product of imperialism, can we define as fascist a terrorist movement whose main target is Western domination? Disentangling these contradictory threads, Enzo Traverso's historical gaze helps to decipher the enigmas of the present. He suggests the concept of post-fascism a hybrid phenomenon, neither the reproduction of old fascism nor something completely different to define a set of heterogeneous and transitional movements, suspended between an accomplished past still haunting our memories and an unknown future.
Detaljer
- Forlag
- Verso Books
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 208
- ISBN
- 9781788730464
- Utgivelsesår
- 2019
- Format
- 21 x 14 cm
Anmeldelser
«Praise for Fire and Blood:
Saul Friedländer, UCLA, author of Nazi Germany and the Jews and The Years of Extermination
Enzo Traverso's investigation is based on a brilliant-although controversial-idea. It is an important book that deserves to prompt vast and interesting debates.»
«Praise for Fire and Blood:
Joanna Bourke
Despite thousands of books on the two world wars, we are still far from understanding the violence that tore Europe apart between 1914 and 1945. By conceiving of the conflict as a civil war, Enzo Traverso provides us with a new way to think about the disaster that continues to shape the twenty-first century.»
«Praise for Fire and Blood:
Russell Jacoby, UCLA, author of Bloodlust and The Last Intellectuals
This is engaged history at its best. Traverso wants to redeem those nowadays slighted anti-fascist thinkers and activists. He rejects a simplistic antitotalitarianism that upholds a pure liberalism untouched by uncomfortable choices. In part a coming-to-terms with his and his family's past as leftists in Italy, Fire and Blood is a passionate and bracing contribution to the issues that bedeviled Western political intellectuals in the age of extremism.»
«Praise for Fire and Blood:
Anson Rabinbach, Princeton University
Written with empathy and perspicacity, Fire and Blood takes the measure of the explosion of violence-revolutionary vs. counter-revolutionary, fascist vs. anti-fascist, military vs. civilian-that constituted the European "civil war" of the first half of the twentieth century. Enzo Traverso's admirable erudition and judiciousness make this work an indispensable synthesis.»
«Praise for Left-Wing Melancholia:
Martin Jay, University of California, Berkeley
According to Freud, mourning is differentiated from melancholia in its working through grief by acknowledging the irreparable loss of a love object. If so, should the contemporary Left finally concede the failure of its dreams of revolutionary redemption? Or, and this is the gamble of Enzo Traverso's provocative new book, is it better to remain defiantly melancholic in the hope that those dreams may still be realized? Drawing on a lifetime of immersion in the history of modern European culture and politics, he provides future progressive movements a glimmer of hope that the dialectic of defeat may not yet be history's final word.»
«A valuable intervention.»
Natasha Lennard, Times Literary Supplement
«Praise for Left-Wing Melancholia:
Richard Wolin, author of Walter Benjamin: An Aesthetic of Redemption
With Left-Wing Melancholia, Enzo Traverso provides us with a timely and learned meditation on the politics of grief, mourning, and historical loss. Yet, in the tradition of Walter Benjamin and Ernst Bloch, Traverso also instructs us on how the experience of loss can simultaneously generate heretofore untapped repositories of social hope. Left-Wing Melancholia is both an exhilarating work of intellectual synthesis as well as a pathbreaking study in cultural history.»
«Praise for Left-Wing Melancholia:
Moishe Postone, University of Chicago
In this wide-ranging, conceptually rich, nuanced and thoughtful meditation, Enzo Traverso takes stock of the current historical moment as marking a fundamental historical and cultural crisis for the Left. The overarching trajectory of struggles oriented toward an emancipatory future that characterized and motivated movements in the past two centuries has been fundamentally broken, resulting in a profound melancholia. Taking inspiration from heterodox critical responses to the darkness enveloping Europe in 1940, Traverso seeks to uncover trace elements of a new utopian imaginary, as a leap without guarantees, a melancholy wager.»
«Praise for Left-Wing Melancholia:
Peter Gordon, Boston Review
The perfect meditation for our melancholy age.»
«An essential contribution to the debate around the crisis in the EU and the rise of the far right.»
Theory & Struggle
«Praise for Fire and Blood:
Adam Tooze, Guardian
Enzo Traverso's provocative book poses a profoundly important question to modern history. How can we understand the "age of extremes" (1914 to 1945) from a present - our present day in the west - that is in general terms allergic to "ideology" and convinced that "there is no alternative"? What happens when an anodyne and self-satisfied liberalism projects its values back into an earlier era of intense political struggle?»