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“Sonic Mobilities is elegantly written and informative. Kielman has produced a thorough and well-written analysis of the production of worlds through “cosmopolitan musicking” in Southern China. Kielman’s extensive experience, first as a musician and then later as an ethnographer, affords him a truly deep understanding of the issues that impact the musical lives of those he encounters and the rich theoretical potential gained through performance in every sense of the word.” 

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Jennifer Matsue, author of Making Music in Japan’s Underground: The Tokyo Hardcore Scene

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“Adam Kielman’s manuscript focuses on the life, condition, practice, experience, and culture created by music bands in Guangzhou. It is a valuable piece of original scholarship that fills in the gap of knowledge in this particular music epoch in China.”

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Anthony Fung, author of Global Capital, Local Culture: Transnational Media in China

"This book is a valuable contribution to the fields of popular music studies and cultural studies in China. It presents a hybridized and mosaic-like musical landscape from a locality that accommodates both national and transnational migrations. Leveraging the historical depths of Chinese music and culture, Kielman constructs multi-dimensional micro-narratives of several individual musicians’ biographies, their connections to their music, their identities and their approaches to communication with the audiences."

The China Quarterly