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Theatre and Performance Design

A Reader in Scenography

«

‘Designed as a resource for those interested in the visual aspects of performance, this extensive collection of key writings provides an invaluable and often inspiring springboard for students, teachers, and practitioners across the spectrum of performance roles and contexts. The selection of material, which adopts an acknowledged western perspective, draws on performance fields ranging from some familiar established names such as Craig and Appia to commissioned new essays from contemporary practitioners. Importantly, the more recent examples include those focusing on lighting and sound within the performance event, embedding the view of scenography as encompassing the whole creative event... By offering a wider context for creating and examining performance design, this volume succeeds in inviting all those interested into a vibrant discussion.’ –Andrew Wood, New Theatre Quarterly

‘…in this fabulous reader Jane Collins and Andrew Nisbet have collected a fascinating range of existing and newly commissioned contributions that explore and expand our understanding of scenography in theatre and performance. A reader of this kind has long been missing and therefore warrants celebration.' – Paul Monaghan, Australasian Drama Studies

»

A resource for those interested in the visual composition of performance and related scenographic practices. It is organised thematically in five sections: Looking, the experience of seeing; Space and place; The designer: the scenographic; Bodies in space; and, Making meaning. Les mer

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A resource for those interested in the visual composition of performance and related scenographic practices. It is organised thematically in five sections: Looking, the experience of seeing; Space and place; The designer: the scenographic; Bodies in space; and, Making meaning.

Detaljer

Forlag
Routledge
Innbinding
Paperback
Språk
Engelsk
Sider
432
ISBN
9780415432108
Utgivelsesår
2010
Format
25 x 17 cm

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«

‘Designed as a resource for those interested in the visual aspects of performance, this extensive collection of key writings provides an invaluable and often inspiring springboard for students, teachers, and practitioners across the spectrum of performance roles and contexts. The selection of material, which adopts an acknowledged western perspective, draws on performance fields ranging from some familiar established names such as Craig and Appia to commissioned new essays from contemporary practitioners. Importantly, the more recent examples include those focusing on lighting and sound within the performance event, embedding the view of scenography as encompassing the whole creative event... By offering a wider context for creating and examining performance design, this volume succeeds in inviting all those interested into a vibrant discussion.’ –Andrew Wood, New Theatre Quarterly

‘…in this fabulous reader Jane Collins and Andrew Nisbet have collected a fascinating range of existing and newly commissioned contributions that explore and expand our understanding of scenography in theatre and performance. A reader of this kind has long been missing and therefore warrants celebration.' – Paul Monaghan, Australasian Drama Studies

»

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