Theatre History Studies 2016, Volume 35 - 
      Sara Freeman
    
      Sara Freeman
    
      Sara Freeman
    
      Jennifer Douglas
    
      Karen Bamford
    
      Brian E. G. Cook
    
      Ann Haugo
    
      Chandra Owenby Hopkins
    
      Rhona Justice-Malloy
    
      Jozefina Komporaly
    
      Karin Maresh
    
      Irma Mayorga
    
      Sheila Rabillard
    
      Rebecca Rovit
    
      Margaret Savilonis
    
      Arden Elizabeth Thomas
    
      Steve Tillis
    
      Scott Venters
    
      Jennifer Worth
    
      Jay Ball
    
      Amanda Boyle
    
      Alex Cahill
    
      Rachel Price Cooper
    
      Danny Devlin
    
      Jennifer Goff
    
      Stuart J. Hecht
    
      Scott C. Knowles
    
      Patrick M. Konesko
    
      Felicia Hardison Londré
    
      Duygu Erdogan Monson
    
      Patrick J. Murray
    
      Wes D. Pearce
    
      Kate Roark
    
      Emily A. Rollie
    
      Michelle Salerno
    
      Claire Syler

Theatre History Studies 2016, Volume 35

Sara Freeman (Redaktør) ; Sara Freeman (Introduksjon) ; Sara Freeman (Innledning) ; Jennifer Douglas (Innledning) ; Karen Bamford (Innledning) ; Brian E. G. Cook (Innledning) ; Ann Haugo (Innledning) ; Chandra Owenby Hopkins (Innledning) ; Rhona Justice-Malloy (Innledning) ; Jozefina Komporaly (Innledning) ; Karin Maresh (Innledning) ; Irma Mayorga (Innledning) ; Sheila Rabillard (Innledning) ; Rebecca Rovit (Innledning) ; Margaret Savilonis (Innledning) ; Arden Elizabeth Thomas (Innledning) ; Steve Tillis (Innledning) ; Scott Venters (Innledning) ; Jennifer Worth (Innledning) ; Jay Ball (Innledning) ; Amanda Boyle (Innledning) ; Alex Cahill (Innledning) ; Rachel Price Cooper (Innledning) ; Danny Devlin (Innledning) ; Jennifer Goff (Innledning) ; Stuart J. Hecht (Innledning) ; Scott C. Knowles (Innledning) ; Patrick M. Konesko (Innledning) ; Felicia Hardison Londré (Innledning) ; Duygu Erdogan Monson (Innledning) ; Patrick J. Murray (Innledning) ; Wes D. Pearce (Innledning) ; Kate Roark (Innledning) ; Emily A. Rollie (Innledning) ; Michelle Salerno (Innledning) ; Claire Syler (Innledning)

Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre "from the rubble of Berlin" and German nationalist mass spectacles. Les mer
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Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre "from the rubble of Berlin" and German nationalist mass spectacles. Essays in part two are devoted to the theme of "Rethinking the Maternal" in contemporary and historical theatre. Also included is the Robert A. Schanke Award-winning essay "Whispers from a Silent Past: Inspiration and Memory in Natasha Tretheway's Native Guard," a keynote essay by Irma Mayorga, and eighteen reviews of new book publications of note.

Theatre History Studies, published since 1981 by the Mid-American Theatre Conference (MATC) is a leading scholarly publication in the field of theatrical history and theory. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
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Forlag: The University of Alabama Press
Innbinding: Paperback
Språk: Engelsk
ISBN: 9780817371104
Format: 23 x 15 cm
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«Praise for Theatre History Studies

“This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated. . . . The subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.” —CHOICE

“International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . An excellent addition for academic, university, and large public libraries.”—Magazines for Libraries, 6th edition»

Sara Freeman is an associate professor of theatre at the University of Puget Sound. Freeman is a coediter of International Dramaturgy: Translation and Transformations in the Theatre of Timberlake Wertenbaker and recently staged Spring Awakening, the musical.