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Jan Tschichold and the New Typography

Graphic Design Between the World Wars

"Succinct, authoritative, well-contextualized. . . .Stirton's narrative throws new light on the most renowned modern typographer of the twentieth century."—Jeremy Aynsley, Journal of Design History

 “The book is well illustrated with many unfamiliar examples (all well placed near their text references) and forms a useful addition to the literature covering this immensely creative period in the history of typographic design” — Edward Wates, Forum 38

An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design

Richly illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Les mer

399,-
Paperback
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An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design

Richly illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902-1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices.

This handsome volume offers a new understanding of Tschichold's work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and Laszlo Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included "The Ring," a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design.

Detaljer

Forlag
Yale University Press
Innbinding
Paperback
Språk
Engelsk
ISBN
9780300243956
Utgivelsesår
2019
Format
22 x 18 cm

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"Succinct, authoritative, well-contextualized. . . .Stirton's narrative throws new light on the most renowned modern typographer of the twentieth century."—Jeremy Aynsley, Journal of Design History

 “The book is well illustrated with many unfamiliar examples (all well placed near their text references) and forms a useful addition to the literature covering this immensely creative period in the history of typographic design” — Edward Wates, Forum 38

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