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Strict Beauty

Sol LeWitt Prints

«“Richly and beautifully illustrated. . . . This is the seminal work for any admirers of Lewitt’s graphic work.”—Mychael Barratt PPRE, Printmaking Today

"This substantial publication . . . is a considered overview of the role of printmaking in the artistic development of Sol LeWitt. . . . The closely written text offers new insights into printmaking as a key element in LeWitt's thinking . . . the numerous, carefully produced reproductions allow an experience of LeWitt's prints that is nearly as good as seeing the exhibition itself."—Andrew Bick, Print Quarterly

Alfred H. Barr Jr. Award- Smaller Museums Finalist, sponsored by College Art Association

Strict Beauty is a signal achievement. No other medium in which LeWitt worked, not even the wall drawings and structures, has received such a rigorous, exhaustively researched, comprehensive treatment. David Areford’s close looking and detailed analyses of the prints reveal unexplored dimensions of LeWitt’s practice.”—Charles W. Haxthausen, Williams College

“David Areford offers a thorough and original account of Sol LeWitt’s printmaking practice that illuminates the larger conceptual issues within the artist’s oeuvre.”—Gwen Allen, San Francisco State University

»

A landmark survey of Sol LeWitt's printmaking practice

The conceptual artist Sol LeWitt (1928-2007) is best known for his programmatic wall drawings and modular structures, but alongside these works he generated more than 350 print projects, comprising thousands of lithographs, silkscreens, etchings, aquatints, woodcuts, and linocuts. Les mer

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A landmark survey of Sol LeWitt's printmaking practice

The conceptual artist Sol LeWitt (1928-2007) is best known for his programmatic wall drawings and modular structures, but alongside these works he generated more than 350 print projects, comprising thousands of lithographs, silkscreens, etchings, aquatints, woodcuts, and linocuts. This generously illustrated volume is the first to take a comprehensive look at LeWitt's significant yet underexplored printmaking practice. Drawing together new archival research, interviews, and careful material and visual analyses, David S. Areford brilliantly situates LeWitt's prints within the broader context of his serial-, system-, and rule-based approach to artmaking. The specific processes of print media, Areford argues, were perfectly suited for LeWitt's particular brand of conceptual art, in which the "idea becomes the machine that makes the art."

With over 400 illustrations, many never before published, this study offers a more complete picture of LeWitt's oeuvre-and the essential place printmaking holds in it. The result will deepen the understanding not only of the variety of LeWitt's output but of the genealogy of his distinct geometric and linear formal language.

Detaljer

Forlag
Yale University Press
Innbinding
Innbundet
Språk
Engelsk
Sider
288
ISBN
9780300253825
Utgivelsesår
2020
Format
26 x 22 cm

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«“Richly and beautifully illustrated. . . . This is the seminal work for any admirers of Lewitt’s graphic work.”—Mychael Barratt PPRE, Printmaking Today

"This substantial publication . . . is a considered overview of the role of printmaking in the artistic development of Sol LeWitt. . . . The closely written text offers new insights into printmaking as a key element in LeWitt's thinking . . . the numerous, carefully produced reproductions allow an experience of LeWitt's prints that is nearly as good as seeing the exhibition itself."—Andrew Bick, Print Quarterly

Alfred H. Barr Jr. Award- Smaller Museums Finalist, sponsored by College Art Association

Strict Beauty is a signal achievement. No other medium in which LeWitt worked, not even the wall drawings and structures, has received such a rigorous, exhaustively researched, comprehensive treatment. David Areford’s close looking and detailed analyses of the prints reveal unexplored dimensions of LeWitt’s practice.”—Charles W. Haxthausen, Williams College

“David Areford offers a thorough and original account of Sol LeWitt’s printmaking practice that illuminates the larger conceptual issues within the artist’s oeuvre.”—Gwen Allen, San Francisco State University

»

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